Thanthirimale - Anuradhapura, Sri Lanka

Thanthirimale - Anuradhapura, Sri Lanka

Thanthirimale is a small village which lies in thick jungle approximately 40 km away from Anuradhapura. The temple in Thanthirimale is both religiously and historically significant and still attracts thousands of pilgrims during Poson. The history of Thanthirimale is said to date back to the 6th Century BC.

More photographs inside.

 Thanthirimale - Anuradhapura, Sri Lanka

References to Thanthirimale can be found in the Mahavamsa in the sections that describe the Bo (Ficus religiosa) sapling being brought to Sri Lanka during the reign of King Devanampiyatissa. The Bo tree in the temple is said to be a sapling from the sacred Bo tree in Mahamewuna Uyana.

Thanthirimale - Anuradhapura, Sri Lanka

There are five ancient Buddha statues, four of which are incomplete (6th image on the post), on the temple premises. The largest of these is the sleeping Buddha (photograph above) which has been carved out of the rock. Surprisingly, the proportions of the statue seemed to be incorrect as the legs look short when compared with the size of the upper body. This is the first time that I'd actually seen an ancient statue that was out of proportion.

Thanthirimale - Anuradhapura, Sri Lanka

The remains of an ancient library have been found on the premises. A number of rock huts and caves, which have most probably been used for meditation by monks for centuries, have also been discovered on the site.

Thanthirimale - Anuradhapura, Sri Lanka

In 1909 archeological evidence was found in a cave close to the temple which suggests that a prehistoric civilization existed in this area. The evidence included fragments of cherts, a piece of crystal and drawings, which are still visible, on the walls of a cave.

Thanthirimale - Anuradhapura, Sri Lanka

To top off the day we witnessed a stunning sunset on the drive back.

All photographs on this post were taken with the Canon 7D and the 24-105mm lens.

Thanthirimale - Anuradhapura, Sri Lanka

Embekke Devalaya - Kandy

Embekke Devalaya (temple), which is famous for its elaborate wood carvings, was built in the 14th century during the reign King Wickremebahu III who ruled in Gampola from 1357 to 1374. UNESCO has identified these carvings as "the finest products of woodcarvings to be found in any part of the world". Many of the carvings depict legends which describe the origin of the devalaya. More images and info after the jump.

The temple was supposed to have been built by queen Henakanda Bisobandara in association with a drummer named Rangama. This temple, dedicated to Kataragama deviyo (god), is supposed to have been housed in a three story building which no longer exists. Currently, only the drummer's hall and the dancing hall remain besides the temple itself. Each of the 32 columns in the drummers' hall, shown in the first image, have square carvings on all four sides. The columns end in a carving designed on a leaf (second image above). Every carving on the columns is different and it is believed that they were created by an artisan named Devendra Mulachari. Some of the square shaped carvings found on the columns can be seen below. Click images for larger versions.

 

 

The carvings found on the roof are also in good condition and the intricate details are still visible. The shot below is of one of the beams which appears between the two rows of columns on either side of the drummers' hall. The midday light helped define the detail in all the carvings. 

 

The roof of the Embekke Devalaya is a masterpiece in classic carpentry. The "Madol Kurupuwa", a wooden pin, is used to hold together 26 rafters at the hipped end of the roof. The pin is shown in the image below. 

The doors which lead into the main devalaya itself have two big brass locks. The first door is made of a dark heavy wood. The inner door is covered with a painting. 

  

The bells of the devalaya can be found between these two doors. I was unable to photograph the inner sanctum of the devalaya as it was closed when we got there. 

Legend of the Embekke Temple

In 14th century Sri Lanka there was a small village named Araththanna which was famous for producing dancers and drummers. In this village lived a drummer named Rangama who had a skin disease. He tried every possible medicine to try and rid himself of the skin disease but was unable to do so. He then decided to make the pilgrimage to Katharagam, in the southern part of Sri Lanka, to ask the god of Katharagama to cure him of his illness, promising to make the pilgrimage annually if he was successful. His illness was then cured and, as promised, he made the annual trip to Katharagama for several years.

After many years Rangama realised that he could not physically make the long journey to Katharagama and on his last pilgrimage, he prayed that he could no longer make his annual journey as he was too old. The god of Katharagama then spoke to him in his dreams and told him that in a few days a miracle would occur and gave him instructions on what he was to do.

There was a flower garden named Ambakka which belonged to queen Henakanda Bisobandara. A few days after Rangama returned from the south,  a gardener was trying to remove a "Kaduru" tree from the garden and he noticed that a stream of blood was flowing from where he had cut the tree. When Rangama heard of this, he went to the garden and started performing the rituals as instructed by god Katharagama. Rangama built a small temple around the tree and ever since it has been referred to as the Ambakka (Embekke) Devalaya.

When the King heard of this, he built a three story temple on the land and gave land and elephants as gifts to the temple.  Some of the queen's jewellery was also give to the temple as a gift.

To this day, the drummer's descendants are said to perform rituals at the temple.  

Anuradhapura in Black and White

Here are a few more images taken in the Western Monasteries area of Anuradhapura. For more info and images on the Western Monasteries, check out  http://devwijewardane.blogspot.com/2010/01/western-monasteries-anuradhapura.html. Other black and white images of Ruwanveliseya are available at http://devwijewardane.blogspot.com/2010/02/ruwanweliseya-anuradhapura-sri-lanka.html.

More images inside.

The shot above of the Moonstone was taken by my wife using a Canon 400D and a 50mm f1.8 lens. I feel that, apart from the composition, the leaves scattered around make the shot work. The black and white processing also helps to accentuate the details that have been carved in to the stone. I really like this shot and might get it framed at some point.

This shot was taken near the Samadhi Buddha statue. From Memory, I used the 400D and the 50mm f1.8 lens to capture these images. A creeper similar to the strangler fig had grown on the tree. I converted this image to black and white as I thought it would help define the carvings on the guard stones and steps as well as the roots of the creeper. I regret not having come across this place a bit earlier in the morning when the sun was a bit lower as the light would have been better for photography. I may have also been able to cut down on the blown highlights which are visible on the right hand side of the image.

This is an entrance to another building in the Western Monasteries complex. I took this shot with the 400D and the 50mm f1.8 lens. In hind sight I should have used a smaller aperture on this one in order to get a wider depth of field. This would have meant a longer shutter speed but I did have a tripod with me at the time! I'd love to head back to the Western Monasteries at some stage and spend a few days exploring and photographing the place.